Idol TV Series in Afghanistan: Pop culture, social transformation & reappropriation
Below, a short talk by Cynthia Schneider on the Afghan version of the “Idols” series. She demonstrates how the show has become a means of social change, especially for women, and how the content is culturally re-appropriated.
Also check out here a lengthier talk by Schneider on Western pop culture re-appropriation in the Middle East more generally. She discusses examples such as hip hop or the effects of the show 24 (select the video by Schneider and scroll to minute 30).
Cornel West: channeling the rage
A short talk by the great Cornel West, Princeton professor and author of “Race Matters”, on his childhood and how he learned to channel his feelings of rage into a productive direction.
(via Situationist)
The minaret vote and public symbols of Islam in Europe: a sign of progress?
Following the Swiss anti-minaret referendum, I quoted Tariq Ramadam who argues that the referendum reflects a rejection of public symbolics of Islam in Europe. The contested symbols, he says, are different in each European country but the mindset behind it is essentially the same.
Nilüfer Göle believes that these symbolic battles mark a new stage in the process of immigration to Europe:
Just like the other silent symbol, the veil, minarets reveal the presence of Muslims both pious and female in public life. This visibility certifies the presence of Muslims in European society and their desire to remain there, demanding freedom of conscience, freedom to practice their religion and also the freedom to dress according to their personal interpretation of their religion. Paradoxically, Islam becomes a political and cultural source for identifying immigrants, their quest for acknowledgment. They in turn manifest their particular citizenship within the European public arena. This visibility marks the end of a stage in the migratory phenomenon, that of integration, as well as experiences and ways of appropriating the public sphere in Europe. It is the difficulty in acknowledging this passage from foreigner to citizen that lies beneath the controversies surrounding Islam.
Might the Swiss minaret rows be seen in a positive light in the end? Is it the last mobilisation of the ignorant and fearful against a changing public sphere; one that accommodates Islam as a component of European civil society? Is it a futile attempt to undo the development of a more inclusive concept of citizenship? Let us hope for it.
The tale of the Peace-Bringer
For the most peaceful season of the year, a beautiful Iroquois folktale…
Before the Peace-Bringer came, the Iroquois were afierce and violent people, constantly at war with neighboring tribes. Their braves were raised to be warriors; their tribes were organized for waging war; their culture was shaped by the mythology and values of the raid, the ambush, the valiant act, the violent victory.
Then came the Peace-Bringer. He walked through the village to the house of the greatest and bloodiest hero, the Man-Who-Eats-People, and he climbed to the top and looked down through the smoke hole.
The Man-Who-Eats-People was preparing a ritual feast from the cut-up body of one of his victims; he would absorb the victim’s power by eating him. A large pot sat on the fire, and the face of the Peace-Bringer, looking in at the smoke hole, was perfectly reflected on the oil on the surface.
The Man-Who-Eats-People froze as he saw the reflection, astonished by the nobility he saw in it.
“That is my face,” he said to himself, “and it is not the face of a man who kills others and eats their flesh to steal their power. That is the face of one who draws people together, the face ofone who makes peace, not war. “
He seized the pot and emptied it outside. “Never again shall I take a life or seek to take another’s spirit and strength,”he told all those who came running.
Then the Peace-Bringer came forward to meet him, and the man said, “Here is the face of peace. I have seen it in my own face. I see it in another’s.”
And the two became as one. The Man-Who-Eats-People became Hiawatha the hero, the healer, the maker of peace.
Merry Christmas & happy holidays!
Iranian propaganda move gone wrong
(Notes on) Politics, Theory and Photography sums up a propaganda battle that is underway in Iran between the government news agency and government critics. It’s a brilliant piece about the power of images, symbolic resistance and gender roles.

The government fired the opening salvo when the state news agency Farspublished photos of a student leader - Majid Tavakoli - who has been arrested and remains in custody. In the photographs Tavakoli, who is highly critical of the regime, was forced to wear Islamic chador andmaghnaeh, the female headscarf.
What the authorities apparently intended as a means of humiliating a critic had a surprising effect – it generated Internet solidarity, as scores of Iranian men posted pictures of themselves on various social networking sites wearing headscarves.
[...] the veiled men in the photos make clear that the images are intended as a rebuke to the official practice of compelling Iranian women to wear the chador. Perhaps the regime has made a massive mis-step here.
Tariq Ramadan: Symbols of Fear and the Swiss referendum
In the Guardian, Tariq Ramadan gives his perspective on the question I posed here yesterday:
There are only four minarets in Switzerland, so why is it that it is there that this initiative has been launched? My country, like many in Europe, is facing a national reaction to the new visibility of European Muslims. The minarets are but a pretext – the UDC wanted first to launch a campaign against the traditional Islamic methods of slaughtering animals but were afraid of testing the sensitivity of Swiss Jews, and instead turned their sights on the minaret as a suitable symbol.
Every European country has its specific symbols or topics through which European Muslims are targeted. In France it is the headscarf or burka; in Germany, mosques; in Britain, violence; cartoons in Denmark; homosexuality in the Netherlands – and so on. It is important to look beyond these symbols and understand what is really happening in Europe in general and in Switzerland in particular: while European countries and citizens are going through a real and deep identity crisis, the new visibility of Muslims is problematic – and it is scary.
At the very moment Europeans find themselves asking, in a globalising, migratory world, “What are our roots?”, “Who are we?”, “What will our future look like?”, they see around them new citizens, new skin colours, new symbols to which they are unaccustomed.
Over the last two decades Islam has become connected to so many controversial debates – violence, extremism, freedom of speech, gender discrimination, forced marriage, to name a few – it is difficult for ordinary citizens to embrace this new Muslim presence as a positive factor. There is a great deal of fear and a palpable mistrust. Who are they? What do they want? And the questions are charged with further suspicion as the idea of Islam being an expansionist religion is intoned. Do these people want to Islamise our country?

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